Category: venues

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Blues in the Alley in Holly Springs

Each summer, the town of Holly Springs, Mississippi in Marshall County usually has a series of blues concerts on or near the town square. The town and county are in the dead center of the region of Mississippi known as the Hill Country, and are famous for the Burnside and Kimbrough families of blues musicians. But in both 2020 and 2021, the COVID-19 pandemic wreaked havoc with the city’s ability to have large events. Several weeks were cancelled, and so at the end of August, a final Bike Night was scheduled, neither on the square nor in the historic area known as The Alley, but rather in the large city park north of the square. The previous city administration had built a brand new pavilion complete with electricity in the park, but the newly-elected mayor and town officials felt that the pavilion was unstable and unsafe, so they had it roped off, and the musicians had to perform on a flatbed trailer in front of the new mural in honor of the Kimbrough family.

Originally, the night was supposed to be dedicated to Duwayne Burnside, but the organizers made a decision to let acts whose weeks had been cancelled earlier make up their missed performances, which led to a degree of argument over which acts would go first. Into that confusion came the new mayor, threatening to shut down the entire park because nobody was wearing a mask. After warning people from the microphone that she would have the police clear the park unless everyone put on a mask, the mayor left, and it was decided that Lady Trucker would go first, then Dre Walker and the Mississippi Boys, with Duwayne Burnside closing out the evening. Since I had time, I walked over to the Rodeo Cafe to get a bacon cheeseburger and to take a break from the heat.

The park was filled to overflowing with folks when I returned. Although there were not a lot of motorcycles, there were a lot of slingshots, the car/bike hybrids with three wheels, and a number of them were done up in neon. Lady Trucker gave a long performance to open the event; in walking around the park, I ran into both Robert Kimbrough and Little Joe Ayers amongst the crowd. But then Dre Walker came on with his band. Dre is more of an R & B singer than a blues performer, and he does almost exclusively cover songs, but he is a consummate showman, and has a way with crowds, especially women. After his performance, I had to go on stage to perform with Duwayne Burnside. Unfortunately, by then it was quite dark, and the city had not made any arrangements for lighting. Instead a few of the slingshots rode up through the crowd to the stage and shined their lights at us, which was better than nothing.

Only at the end of the night, after Duwayne had paid me and I was in my car with the air conditioning running did I realize that I didn’t have my white Kangol on my head which I had been wearing. I had apparently left it in the Rodeo Cafe which was by then closed. I never saw it again.

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“I Got The Dog In Me”: Celebrating the Legacy of the Late David Kimbrough III

The late Junior Kimbrough on occasions called his music Cotton Patch Soul Blues, and after his passing, his legacy was carried on by three of his sons, Robert, Kinney and the late David Kimbrough III, who passed away on the Fourth of July in 2019. These men built on the foundation of their father, adding more soul influences into the music, and becoming blues stars in their own right. On July 31st, 2021, one of David’s daughters and his longtime friend Sherena Boyce threw an event at the Pavilion Building in Holly Springs, Mississippi to celebrate his legacy and achievements as a blues musician.

Only two solo albums were released by David Kimbrough during his lifetime; his first, I Got The Dog In Me was released in 1994 by the same Fat Possum record label that his dad had recorded for; the record was credited to David Malone rather than David Kimbrough. A second album was completed for Peter Redvers-Lee’s short-lived Midnight Creeper label out of Oxford, but has yet to see release. Instead, Scott Hatch released an album on David called Shell Shocked, which came out on his Lucky 13 imprint. David also appeared with his brothers on a Junior Kimbrough tribute album released in limited quantity by Justin Showah on his Hill Country Records imprint.

On this hot Saturday night, David’s legacy was recalled with a performance by the Eric Deaton Trio, featuring Kinney Kimbrough, David’s brother. A DJ, Mississippi Stud, performed between band sets, and Deaton’s trio was followed by David’s best friend Duwayne Burnside, who had played on the I Got The Dog In Me album. Although Duwayne performed a lot of his usual songs, he also closed out with a rousing version of “I Got The Dog In Me,” the second of the night. It was a fitting way to end the tribute.

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The Mason Family Reunion: Great Weather, Good Food, Fun and Fellowship, But No Musicians

Predominantly-African-American towns in Mississippi have a tradition of annual “days,” named for the towns, in which there are live performances, and in which people from those towns return from the North and West and other places where they have relocated for a sort of town reunion. The dynamic does not seem to occur in Tennessee, perhaps because there are few Black-majority towns. One exception is the town of Mason in Tipton County, located in the center of Tennessee’s Delta region, bordering both Fayette and Haywood Counties, and only about 25 miles from Shelby County. Since 2019, the Southern Soul artist Terry Wright has sponsored a Mason Family Reunion at the Zodiac ballpark north of town (although the event was not held in 2020 due to the pandemic).

This year, posters went up announcing the event in the Spring, setting the date as the 4th of July. New improvements had also been made to the Zodiac A’s park, including a new snack bar with covered tables and chairs, and a small permanent stage with a DJ booth. At a time when so many Black ballfields have been abandoned or have disappeared, it is encouraging to see this investment in keeping Zodiac Park up to date and viable. Tickets to the event were $30, yet there was already a significant crowd present when I arrived.

Because the small stage would have been inadequate for the expected crowds, the organizers had brought in a larger stage pointed away from the snack bar and toward the outfield. There was no large tent with cafeteria seating as there had been in 2019, and the outfield was mostly people’s personal tents and chairs. Up on the hill were a number of vendors, selling just about anything a person might want to eat or drink. At one of the stands, I recognized Myles Wilson, the former Fayette County Superintendent of Schools, who was also once an owner of legendary Club Tay-May and who had consulted me on my masters thesis about Black fife and drum bands in Tennessee.

In 2019, there were ongoing problems with the power supply to the stage, and that situation continued this year. Early performers had their performances interrupted due to sudden power failures; worse, at least for me, was that I did not see any drums, amps or guitars. I began to wonder if anyone was going to perform with musicians. Eventually I ran into Terry Wright’s keyboard player, who told me that it was going to be strictly a track show. Karen Wolfe was on stage at the time, struggling with intermittent power. I suppose the limited power issue made using live instruments impracticable.

Disappointed, I spent the remainder of my time catching up with people I knew from Mason, which is actually what a lot of people seemed to do. The weather was beautiful even if it was hot, and a lot of people turned out; there was plenty of fellowship, and no fighting. But a blues and Southern Soul show without musicians just seems and feels wrong.

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Celebrating the Music of the Hill Country at Waterford, Mississippi

One of the best things about our slow return to normalcy has been the reappearance of the festivals we missed in 2020. The North Mississippi Hill Country Picnic held at Betty Davis’ Ponderosa each year at Waterford, Mississippi in Marshall County was founded by blues musician Kenny Brown and his wife Sarah to commemorate and preserve the Hill Country blues traditions, and especially the legacies of the Kimbrough and Burnside families. Held over two nights, the festival generally attracts several hundred people from all over the world; sadly, this year, most of the international visitors were unable to attend, due to ongoing travel restrictions brought on by COVID-19. Still, several hundred people attended on Friday night, seeing performances by Jimbo Mathus and Kent Burnside, and Duwayne Burnside with his band. Lots of musicians were backstage, including Little Joe Ayers, and there were great charcoal-grilled hamburgers for the performers.

An even bigger crowd attended on Saturday, when artists like Memphisippi Sounds, R. L. Boyce and Sharde Thomas and the Rising Star Fife and Drum Band performed.

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Duwayne Burnside Live at the W. C. Handy Music Festival in Henderson, Kentucky

Early on Saturday morning, June 19th, I headed to a restaurant called the Merry-Go-Round on North Fares Avenue in Evansville, Indiana. Fares was once Highway 41, and the restaurant was located in an area of several sketchy motels, but the number of cars around the building convinced me I was in the right place. Inside, the restaurant was a combination of antiques and Trump posters. I was not happy about that, but Evansville has few breakfast choices, and I saw that the customer base seemed relatively diverse, so I stayed.

The Merry-Go-Round goes back to at least World War II, and has a definite old-school vibe; the places sells burgers and ice cream, even if breakfast is the main reason people go. And a good breakfast it proved to be. Although the place was fairly crowded, the restaurant is large, and I had no problem getting a table.

My next step was to find a local coffee bar for a latte, so I drove over to the Honey Moon Coffee Company on Weibach Avenue, but as I arrived there, Duwayne Burnside called me and said that he wanted us all to soundcheck at 10 AM at the W. C. Handy Festival stage in Henderson, Kentucky, rather than at 11 AM as I had supposed. So I had to get my latte to go, and head south on Highway 41 across the bridge into Henderson. Fortunately, there was a blocked-off lot where we were allowed to park as performers.

The weather was extremely hot, and there were not a lot of people in the seats when I arrived, but then we were the first act to perform, and we did not go on stage until noon. To my amazement, they had a beautiful Nord keyboard on stage, and we had access to the food tent until it was time to soundcheck with Pinkie Pulliam, Charles Gage and Duwayne.

By the time we performed, there was a much larger crowd in the seats than when we arrived. The view from the stage over the crowd and out to the Ohio River was quite beautiful, and the show was fun to play. There were even some boats out on the river enjoying the show from the water. One of the things I was pleased with is that Duwayne Burnside gave the crowd authentic blues when so many of the other acts seemed more rock oriented.

Afterwards, I got my car and headed back across to Evansville. I grabbed a late afternoon lunch at Blu Burger Bar, the Evansville branch of an Indianapolis chain, located in the city’s old bus depot. The building has been lovingly and beautifully restored, and the food was outstanding.

My last stop before checking out of my hotel and leaving Evansville was at a store I had never seen before called Meijer. I vaguely remembered the name from trips to Cincinnati, but I had never been inside one. To my amazement, Meijer seems like a cross between Wal-Mart, target, Costco and Sam’s Club, all in one. The building was bright, mostly glass and chrome, and impeccably clean. I had intended to take some Double Cola back to Memphis, but Meijer didn’t have any in stock; however, they did have some Tchibo Coffee imported from Germany, and I bought that to take home.

Unfortunately, my car which had performed so well going up to Henderson and Evansville did not do as well going back. It started hesitating at times, and by the time I reached Dyersburg, the check engine light had come on. I stopped at a O’Reilly Auto Parts there, and learned that the fuel rail pressure sensor was going out. Despite difficulty, I managed to make it to the house.

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An Evansville Sunset at The Rooftop, and Eric Gales Live in Henderson, Kentucky

Duwayne Burnside’s biggest show of 2021 was at the W. C. Handy Music Festival in Henderson, Kentucky in June, a festival which is billed as the biggest outdoor music festival in the United States. Although we were not scheduled to play until Saturday, I decided to book a hotel room in Evansville, Indiana, and drive up the day before. So after work, I headed out from Millington up Highway 51. The weather was hot and sunny, but the drive was relatively pleasant. My car gave me no problems, and I stopped at Union City for a slice of pizza and a fountain drink, and then I headed on across Kentucky and into Evansville.

I had planned on eating at an outdoor bar and grill called The Rooftop, so I could enjoy the sunset over Evansville. As it was, I arrived in the city a little later than I had intended, and the sun went down almost as soon as I was seated. The place was crowded and cheerful, with a singer-songwriter performing, and bright lights strung across the seating area. Unfortunately, I discovered that The Rooftop was more of a place to drink and listen to music than a place to eat. The food was typical bar fare, and although it was not bad, it was neither outstanding nor memorable. The main star of the show were the evening views of downtown Evansville.

After I left The Rooftop, I could not find any coffee bars still open, so I headed back across the bridge to Henderson, Kentucky and the W. C. Handy Festival. One of the reasons I had wanted to come a day early was to see the Memphis rock-and-roll/blues guitarist Eric Gales, and Duwayne Burnside and his bassist Pinkie Pulliam were already in Henderson where the festival was taking place.

Finding parking in downtown Henderson was not at all the hassle I had expected it would be, and the festival, held in a large park along the Ohio River, was easy enough to find. On the other hand, the park was so crowded that it was hard to get anywhere near the stage. Because I didn’t find any coffee in Evansville, I was amazed and thrilled to find a Java Shakes food truck directly across the street from the main festival stage. Of course the prices were not cheap, but a mocha java shake was quite refreshing, and exactly what I had been wanting. Duwayne was backstage with Eric Gales, but Pinkie and I had some difficulty in getting backstage, at least at first. Eventually we were able to get the appropriate wristbands as performers and we were able to get backstage.

Hearing Eric Gales in person was amazing indeed. Although he burst onto the scene some years ago as a rock musician, the blues is never far away from his style, and his band was interesting as well, with two drummers, one of whom was his wife. His good natured talk with the crowd and his frank discussion of his addiction and recovery caught me by surprise, and I was especially impressed with his closing speech to the crowd; he pointed out that despite race or politics, music had brought all of them together on a certain level. Eric Gales’ awesome talent is surpassed only by his deep humility. It was an honor to see him in person.

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Remembering the Kimbrough Blues Legacy In Holly Springs

After a year’s hiatus caused by the COVID-19 pandemic, the Kimbrough Cotton Patch Soul Blues Festival returned to Holly Springs, Mississippi in May of 2021, with a few differences. The event was held totally outside this year, with The Hut being closed as a precaution against spread of the virus, and of course, with travel restrictions from foreign countries still in place, overseas visitors who usually attend were not able to come.

All the same, on Saturday night attendees got to hear the workshop performers play, along with their mentors Duwayne Burnside, Robert Kimbrough Sr. and Joe Ayers, and on Sunday, a somewhat larger crowd saw even more artists, including Joe Ayers’ son Trenton, Lightning Malcolm and R. L. Boyce, in addition to those who had performed the night before. This was also the first Kimbrough festival since the death of David Kimbrough Jr. in 2019, and Robert made a point of performing several of his brother’s songs during his performance. It was altogether a good time, and another sign that things seem to be returning to some degree of normalcy.

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Duwayne Burnside Brings The Hill Country Blues to Memphis at Railgarten

Duwayne Burnside is one of the sons of the late R. L. Burnside, and is a living legend of the Hill Country blues tradition in North Mississippi, but peculiarly, he has not frequently played in Memphis in recent years. That changed this summer, with a weekly residence at the outdoor Railgarten venue in Midtown, which got under way on May 7th after a couple of cancellations due to weather.

A number of Memphis blues aficionados and musicians came out, including the legendary Stax Records drummer Willie Hall, who sat in with the band on a tune. Actually, Railgarten makes a nice venue for blues, with its massive array of outdoor tables and bars. In pleasant weather, it’s perhaps the best venue in the city. Unfortunately, the pandemic has caused modifications in its operations, and things are not entirely back to normal yet. The diner, which once featured a more adventurous culinary menu, is closed, as is the ice cream parlor, and currently only bar food is available. But there seem to be renovations going on at the diner, and hopefully it will be reopening in the future.

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Juke Joint Fest: Johnny Rawls at Hambone and Kent Burnside at Gentleman Lyfe

After Sherena Boyce and myself attended the Jimmy “Duck” Holmes party behind Sean “Bad” Apple’s juke joint in Clarksdale, we went different directions. She wanted to go to Kent Burnside’s performance at a new club called Gentleman Lyfe, which usually hosts more of a hip-hop crowd, but I wanted to catch Johnny Rawls’ performance at Hambone.

However, when I got to Hambone, I was somewhat disappointed. Rawls typically has a large band with horns on his albums, but at Hambone, he had a stripped-down trio band instead. Worse, the place was so crowded that I could not get anywhere near the stage. So I left there and headed around the corner to Gentleman Lyfe for Kent Burnside’s performance. Sherena got there about an hour after I did, but although Kent gave some rousing performances of Hill Country standards, the long day had taken a toll on me, and I was running on fumes. Ultimately, I left to head back to the hotel and to bed.

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Juke Joint Fest: Sean Bad Apple’s Private Backyard Party With Jimmy Duck Holmes

Although the scheduled outdoor shows ended at 5 PM, Sean “Bad” Apple, who recently converted the old Club 2000 on Issaquena Avenue into the Bad Apple Blues Club, had a private invitation-only Jimmy “Duck” Holmes performance in the backyard of his club, which my friend Sherena was able to talk our way into since she knew Jimmy. The performance before a small crowd sitting on the ground was intimate, in Homes’ usual way, and was intended to highlight his new CD release. Sherena managed to buy copies of the disc and a T-shirt as well.