In previous Juke Joint Festivals, Cat Head Delta Blues and Folk Art has been sort of the nerve center for the festival, but this year it seems that the organizers wanted to downplay that, perhaps due to the pandemic. Most of the artists that would usually have played at Cat Head in previous years were relocated to the Wade Walton Stage on Issaquena Avenue. An early morning exception however was Little Joe Ayers, one of the last living original Hill Country bluesmen, who opened the festival day with an awesome set in front of the store accompanied by his son Trenton, who for many years was part of a duo with Cedric Burnside.
Whereas the second generation of Hill Country bluesmen have adopted a more aggressive and electrified sound, Little Joe has remained true to the music’s rural roots, playing both traditional blues standards like “Smokestack Lightnin'” and favorite tunes from the Junior Kimbrough songbook like “Do The Rump.” There’s no better way to start a blues festival, and an enthusiastic crowd gathered despite the early hour.
When the Bentonia Blues Festival outgrew its place in front of the Blue Front Cafe in downtown Bentonia, Mississippi, it moved to a former Black baseball field north of town on land that seems to belong to the family of Jimmy “Duck” Holmes. Unfortunately, being what it is, the largely treeless flat field offers no refuge from the mid-June heat, making Bentonia Blues Festival one of the hottest blues festivals anywhere. What little shade there is can be found around the parking area near the front of the road behind the stage, where teenagers play basketball.
However, despite the withering heat, several hundred blues fans turn out annually to enjoy some of the best blues Mississippi has to offer. Unlike many other festivals in and out of state, the Bentonia Blues Festival is a free festival, with the only charge one for parking a vehicle.
This year’s line-up included Como blues legend R. L. Boyce, former member of Junior Kimbrough’s Soul Blues Boys Earl “Little Joe” Ayers, Dominican blues musician Tito “Harlem Slim” Deler of New York City, the Eric Deaton Trio from Water Valley featuring Kinney Kimbrough on drums, and of course the man everyone came to see, Jimmy “Duck” Holmes, founder of the festival and a living legend of the Bentonia style of blues.
Toward the late afternoon, some clouds and rain developed in areas, and things began to cool off some, as the son went down. After Eric Deaton’s performance, Sherena Boyce, R. L. Boyce and I decided to head down Highway 49 to Pocahontas, Mississippi in order to eat dinner before the long ride back to North Mississippi. Although thoroughly tired, it had been a remarkable day of fun and great music.
The second night of the Kimbrough Cotton Patch Blues Festival occurred on Saturday night, again inside The Hut in Holly Springs, featuring for the most part a different line-up of performers.
When I arrived, Little Joe Ayers of Benton County was on stage performing. He is one of only a handful of blues musicians remaining from his generation, and he did some classic tunes like “Two Trains Running” and “Feeling All Right,” backed by the great J. J. Wilburn on drums.
A few of the artists from Friday night appeared, including Robert Kimbrough, Duwayne Burnside and Garry Burnside, but arguably the highlight of Saturday night was the appearance of Cameron Kimbrough, a grandson of the late Junior Kimbrough, who is equally talented on both drums and guitar. He can perform blues standards like “Mellow Peaches,” but he also has a unique gift for creating original compositions that fit the style of Hill Country blues.
As is always the case at The Hut, the little building was packed from wall to wall, and dancers pounded the floor in front of the stage. The weather was hot and steamy, but nobody noticed or cared. There was too much fun, food and good music to worry about the weather.
Joyce She-Wolf Jones is the mother of up-and-coming blues guitarist and drummer Cameron Kimbrough, but she is also a talented vocalist and song-writer in her own right, and each August, she puts on a traditional Hill Country blues picnic in the front yard of her home near Bethlehem, Mississippi, a wide spot in the road south of the Marshall County town of Potts Camp.
August is typically a hot month, and there had been strong thunderstorms at Holly Springs when I came through, but the weather was quite pleasant when I arrive at Joyce’s modest home along the rural highway. The smell of barbecue was in the air, and former Soul Blues Boy Little Joe Ayers was on stage. Everybody was having a good time, despite the ominous flashes of lightning to the north. Joe soon launched into a skillful version of Willie Cobbs’ classic “You Don’t Love Me,” a standard blues that doesn’t get heard all that often in the Hill Country. The crowd was loving it.
As the night progressed, we got to hear Cameron on drums, Lightnin Malcolm, Duwayne Burnside and R. L. Boyce, as well as Cam’s cousin Kelly Payson on vocals, and of course, our hostess Joyce She-Wolf Jones herself, who sang a couple of her original songs.
With good food, plenty to drink, great music, and the rain staying away, it was a perfect evening in Mississippi’s Hill Country.
Juke Joint Fest weekend in Clarksdale is generally rain-free, but the last couple of years have been an exception. 2017 was a complete wash-out, and this year was harassed by rain, but not quite as bad as the year before. With a day of free music on five-or-so stages, not including informal pop-up performances around downtown, the festival is a surfeit of great blues and roots music, and the only real dilemma is choosing between equally great bands on different stages at the same time. The one stage that consistently features the best in Mississippi blues is the stage in front of Roger Stolle’s landmark Cat Head Delta Blues and Folk Art on Delta Avenue. Stolle is the big mover and shaker behind the Juke Joint Festival, as he is with all things blues in Clarksdale, and his store is a mandatory first stop for the first-time blues tourist in the Mississippi Delta, offering books, magazines, DVD’s, vinyl records, compact discs, posters and homemade folk art, including priceless works by Super Chikan himself. The stage in front of the store started early this year with Little Joe Ayers from Holly Springs, and as the day progressed featured such Hill Country artists as Kent Burnside, David Kimbrough, Andre Evans and the Sons of Otha fife and drum band, R. L. Boyce, Robert Kimbrough Sr and Duwayne Burnside. The rain ended about noon, but then heavy winds blasted through downtown Clarksdale, and soon the whole downtown area was without power. But the musicians in front of Cat Head managed to salvage something from the afternoon, with an informal jam session featuring Duwayne, R. L. Boyce, David Kimbrough and others. Kesha Burton, a young woman from Brownsville, Tennessee that Boyce and Willie Hurt have been mentoring got an opportunity to play the bass drum with Otha Evans, and the drum set during the acoustic jam session during the power outage. Despite difficulties, it was a satisfying day of blues indeed.
On November 4, 2017, Senatobia launched its inaugural Blues and Brews festival in Gabbert Park, in unusually warm and wet weather. In fact, dense fog enveloped the whole park, and made it hard to see the crowd from the stage area. But a small crowd braved the wet (although not technically rainy) weather to celebrate the unveiling of an historic marker in honor of Sid Hemphill, and the rededication of another to Black country pioneer O. B. McClinton, as well as beer, good food, and great blues. Of particular interest was the opening performer, Glen Faulkner, a master of the one-string guitar from the Gravel Springs community, which was also home to the better-known Otha Turner and his fife-and-drum band. Faulkner has been recorded little, perhaps because he doesn’t sing, and clearly was not feeling his best, having to be helped onto the stage. But once on stage, he demonstrated his absolute mastery of his somewhat unusual instrument, treating the audience to his version of Hill Country standards like “My Babe” and “When I Lay My Burdens Down.” Faulkner was followed by Little Joe Ayers, one of the original generation of Hill Country bluesmen who for many years was part of Junior Kimbrough’s band, and then by Kent Burnside, one of R. L. Burnside’s grandsons, who rarely appears in this part of the country, although he performs frequently in the Midwest and internationally. Mark “Muleman” Massey was next on the lineup, followed by Garry Burnside and his girlfriend Beverly Davis, along with the seldom-seen guitarist Joe Burnside, to close the evening’s festivities. There were quite a few local food vendors as well, including Alma Jean’s Southern Kookin and Bliss Handcrafted Ice Cream. It was a memorable night of blues on an unusually warm day in November.
Benton County, Mississippi is due east of Marshall County, and was once a part of it, having been carved out of it and Tippah County by the state legislature during Reconstruction. Demographically similar to the county it was taken out of, Benton is a part of the Mississippi Hill Country, although sparsely populated and somewhat poorer than the other Hill Country counties. Although many great musicians came from Benton County, including Willie Mitchell, Syl Johnson, Joe Ayers and Nathan Beauregard, there has never been a live music scene in the county, mainly for the simple fact that Benton has always been a dry county, and remains so today. Such music as there has been has usually been held at private events such as picnics and yard parties.
However, over the last month or so, Robert Kimbrough, one of the sons of blues legend Junior Kimbrough, has been holding yard parties/jam sessions at his house just outside the Benton County seat of Ashland. The somewhat remote location is an opportunity to hear the music in a setting more like where it originated, in an era where “clubs” or even “juke joints” were still unknown. The atmosphere in the yard is easy going, with musicians taking turns going on stage and then coming off to enjoy food and drink. Musicians like J. J. Wilburn, G-Cutta, Little Joe Ayers and even Robert’s brother David Kimbrough occasionally come through and sit in. Fans bring lawn chairs and sit in the lawn while the musicians play under the carport roof. It’s all a rather informal affair. However, the weekend schedule for these events is somewhat erratic, as it depends on Robert’s touring schedule, so if you want to attend, follow Robert on Facebook here so that you know when and where his events are occurring. (I won’t put his address here publicly, although he occasionally does put it on Facebook. Follow him for details on where and when to go).
Marshall County, Mississippi is recognized as the home of the Hill Country blues, and the home of its two greatest exponents, Junior Kimbrough and R. L. Burnside. So it was entirely fitting that this year, one of Junior’s sons, Robert Kimbrough, put together an event to celebrate the life and legacy of his father, the Kimbrough Cotton Patch Blues Festival. Over several days, the event featured an exhibition of photographs at Rust College in Holly Springs, a guitar workshop, a jam session and a Sunday afternoon concert on an outdoor stage adjacent to the old VFW Hut on West Valley Avenue. On Mother’s Day afternoon, with impeccable weather, a crowd gathered to enjoy authentic Hill Country blues from Robert Kimbrough Sr. and the Blues Connection, Little Joe Ayers (who had played with Junior), Dan Russell, Memphis Gold, Cameron Kimbrough, Leo Bud Welch, R. L. Boyce with Carlos Elliot Jr and Lightnin Malcolm, and the Kimbrough Brothers, featuring Robert, Kinney and David Kimbrough. Young drummer and guitarist Cameron Kimbrough is a grandson of Junior and son of drummer Kinney Kimbrough, and was especially impressive on drums with Memphis Gold and Leo Bud Welch. Altogether, it was an amazing day of some of the best blues Mississippi has to offer.
After a debut festival last year in March, this year the Foxfire Blues Festival moved to April, and one of the highlights of this year’s event was the reunion of Lightnin Malcolm and Cedric Burnside, two Hill Country blues musicians that began their careers together, but ended up going their separate ways, Cedric into the highly successful Cedric Burnside Project with Trenton Ayers, son of the Hill Country guitarist Little Joe Ayers. Both musicians were in rare form, and they seemed to enjoy the collaboration, each including songs from their old career together, as well as songs from their solo careers since. As both men play guitar and drums, it was easy for them to switch instruments for each other, and the results were magical. The Foxfire Blues Festival kicks off the blues season at Foxfire Ranch, which is located on Old Oxford Road just outside the small village of Waterford, Mississippi in Marshall County on Highway 7. From April until probably September, live blues will be held at the Hill Country Blues Pavilion on Sundays from 5-10 PM. Admission is usually $10, and worth every penny of it.
My girlfriend and I had planned on going to see Cameron Kimbrough, who we thought was playing in Helena, Arkansas, but it ultimately turned out that he was playing in Warren, Arkansas instead, which is a three-hour drive. There was no chance of making it there before he went on stage, so we had dinner at the Holiday Lodge on Sardis Lake at Harmontown and then headed to the Blues Shack for the second day of the R. L. Burnside Memorial Jam. Holly Springs bluesman Little Joe Ayers was on stage when we arrived, playing to a crowd that was somewhat larger than the one on Friday night. After Joe performed, then Duwayne Burnside and Kenny Brown got on stage and performed such Hill Country classics as “All Night Long” and “Meet Me in the City.” Although we were having a great time there, we ultimately cut it short because my girlfriend wanted to catch Cedric Burnside, who was playing at Proud Larry’s in Oxford, so we left out and headed down that way.