Despite almost perfect weather, this year’s Sunflower River Blues and Gospel Festival seemed extremely small compared to previous years, with only one stage of performances, and that blocked by a new fenced-in compound with tables and chairs presumably reserved for wealthy donors or paying ticket-holders. Since the compound was nearly-empty, performers got the dubious pleasure of performing to the empty tables in front of the stage, since the crowd was in the free area to the east closer to the Blues Museum.