It took me nearly an hour to get from Metairie to the North Claiborne Avenue area where TBC Brass Band was supposed to be playing, and where, incidentally, Darren had told me I might run into some of the Mardi Gras Indians. I was afraid that I wouldn’t be able to find any parking, but out north of the Interstate bridge, I found a vacant lot across from a church where nobody was charging any money and lots of people were pulling in and parking. It meant a long walk across a long, vacant commons towards the new Lafitte Project, but the sun had come out and the weather seemed a bit warmer. Under the I-10 bridge, the crowds were truly massive. There was a large stage on St. Bernard Avenue, where bounce rappers were performing, but I could not find any of the TBC Brass Band members anywhere. Since it was more than an hour after they were supposed to start playing, I might have missed them. There were vendors and food trucks, a DJ spinning on a street corner, people zooming around on motorcycles and four-wheelers, and up at the far end, elaborately-costumed Mardi Gras Indians, as I had hoped. I soon found, however, that eager crowds pressed around them so that it was hard to shoot pictures or capture video. But still, seeing the Indians in their beautiful costumes up close was amazing in itself, and I was able to follow one tribe and its drummers down into the Treme neighborhood as they were on their way home, and got some better pictures and footage there.
Choosing the area under an interstate bridge for a festival site may seem strange, but the evidence is that the neutral ground of Claiborne Avenue was a festive site for New Orleans’ Black community long before the interstate was built. Community leaders in the Treme neighborhood had tried to halt the interstate construction, but had failed. More recently, since Hurricane Katrina, some activist white kids had suggested removing the interstate in that area, redesignating I-610 as I-10, and restoring the neutral ground of Claiborne as the grassy, tree-lined site it once was, but with the Superdome so nearby, that is unlikely. Black residents resent the overhead interstate, but continue to use the space during Mardi Gras and also after second-lines, when large crowds often gather there. The one positive thing that I’ve had people tell me about the bridge is that brass bands sound really good under there.
Gradually, it got dark, and the crowds began to gradually disperse, so I left as well, headed Uptown to see if I could find any of the Uptown Mardi Gras Indian tribes.