#103 Sensational Six (by jdoggtn7)
Memphis gospel legends the Sensational Six perform at the Center for Southern Folklore during the Memphis Music and Heritage Festival, 9/1/12
#103 Sensational Six (by jdoggtn7)
Memphis gospel legends the Sensational Six perform at the Center for Southern Folklore during the Memphis Music and Heritage Festival, 9/1/12
The Ghost Town Blues Band (@GTBBMemphis) performs on the Peabody Place stage at the Memphis Music and Heritage Festival, 9/2/12. Visit http://www.ghosttownbluesband.com/ for merchandise, show dates and more info. Like them on Facebook at http://www.facebook.com/pages/Ghost-Town-Blues-Band/97128837211 or follow them on Twitter at https://twitter.com/gtbbmemphis
The Merry Mobile, a rock trio named for a familiar Memphis ice cream truck in the 1960’s, performs at the Gayoso stage during the Memphis Music and Heritage Festival, 9/2/12. Visit http://www.themerrymobile.com/ for videos, tour dates and more.
Drumlines have traditionally played a big role in the African-American community of Memphis. Not only were such groups part of junior high and high school band programs, but they were also sponsored by community centers, drill teams and majorette organizations. Similar African-American drumlines can be found in other cities around the country, suggesting that the popularity of percussion bands in Black communities is not unique to Memphis. At least one theory about this activity is that the use of western drums and the association of them with patriotic or military functions or school and community functions allowed African-Americans in the South to continue African cultural practices that would have otherwise been suppressed. The drumline known as Percussion Perfection is a group of young men from various Memphis neighborhoods, but, unlike most drumlines, they are not sponsored by any school, church or community center. They appear unexpectedly in public spaces and events in Memphis, playing for tips from their listeners. Their unexpected appearance at the Memphis Music and Heritage Festival was especially appropriate, as their drum cadences and intricate dance moves are a fundamental part of the Memphis heritage.
The Sensational Six are one of Memphis’ veteran gospel groups. During their 40-year career, they have recorded for many local Memphis labels, including Philwood (a subsidiary of Select-O-Hits), Designer, Messenger and others. Their performance at the Center for Southern Folklore Saturday during the Memphis Music and Heritage Festival was a real-life demonstration of the close relationship of gospel to soul music.
The Anointed Cowan Sisters perform on the ArtsMemphis stage at the Memphis Music and Heritage Festival, 9/1/12
The Sanctuary Jazz Orchestra is one of Memphis’ longest-running jazz big bands in the city. Led by veteran trumpeter Johnny Yancey, the band plays a repertoire that includes works by Duke Ellington, Count Basie, Oliver Nelson and Thad Jones, as well as occasional songs from Ray Charles, Stevie Wonder or Marvin Gaye. At the Memphis Music and Heritage Festival, the band collaborated with Memphis rap artist Tune C on a version of the Allen Toussaint classic “Get Out My Life Woman.” Like the Sanctuary Jazz Orchestra at http://www.facebook.com/pages/Johnny-Yancey-And-The-Sanctuary-Jazz-Orchestra/142769415789222.
Chris Johnson and Zack Mack perform on the Gayoso stage at the Memphis Music and Heritage Festival, 9/1/12
Memphis folk-rockers Bean (@Bean_Music) perform on the ArtsMemphis stage at the Memphis Music and Heritage Festival, 9/1/12. Like them on Facebook at http://www.facebook.com/beanband/info, visit their website at http://beanmusic.bandcamp.com/ or follow them on Twitter at http://www.twitter.com/Bean_Music.
The Memphis Music and Heritage Festival also celebrates the visual arts as well, with exhibits both indoors and out on the Main Street Mall, 9/1/12