The actual day of my birthday was much colder than the day before, but my friend Darren Towns of TBC Brass Band and I headed out to Polly’s Bywater Cafe, which is just about my favorite breakfast spot in New Orleans, for omelettes, biscuits and coffee. Then I stopped by Aunt Sally’s Pralines in the French Quarter to pick up a box of pralines to take home to Memphis. Actually, Decatur Street is a bewildering array of different praline shops, and figuring out which one to choose is not easy, but a waiter at the Cafe du Monde the night before had told me to pick a shop where the pralines were being made in house. It proved to be great advice. Although Aunt Sally’s pralines were outrageously expensive, they were just about the best I had ever had.
Darren had a busy day of things to do, so I dropped him off and headed by a Rouse’s supermarket to get the French Market coffee varieties that I cannot find in Memphis, and then headed across the Causeway to the Northshore on my way back to Memphis.
At Jackson, I headed to the District at Eastover to have lunch at Fine and Dandy, the upscale burger and sandwich restaurant which I had seen on my Grambling trip. Fine and Dandy is something of an enigma, with the high-end ambiance of a steakhouse, but an emphasis on burgers and other sandwiches. Frank Sinatra, Tony Bennett and other jazz vocalists comprise the soundtrack, giving the place a sort of “Oceans Eleven” vibe, but prices are reasonable, and the food is very good. I learned from my server that Fine and Dandy and its sister restaurant nearby, Sophomore Spanish Club, are locally-owned, one-of-a-kind restaurants. However, they are concepts that I could imagine working well in other cities.
After grabbing a latte at il Lupo coffee across the parking lot, I got back on the road north toward Como, Mississippi, where the bluesman R. L. Boyce was to be the Grand Marshal of the annual Christmas parade. With each mile northward the weather seemed to get colder, and by the time I arrived in Como, it was almost time for the parade, and extremely chilly.
Presumably the freezing weather and Monday night timeframe combined to keep the crowds to a minimum, but there were handfuls of parents and kids along Main Street, where some Black equestrians with their horses were riding up and down the street ahead of the parade’s start.
As I expected, Como’s parade was fairly small, some fire trucks, some cars with the mayor and other city officials, a few mayors from other towns, a Corvette car club, the bands from Rosa Fort High School in Tunica and the North Panola High School in Sardis, and the horsemen. R. L. was riding in a truck that had been emblazoned with the words, “Grand Marshal R. L. Boyce” and waved to me when he recognized me.
The parade u-turned north of the business district and headed back down the other side of Main Street, but the whole event only took about twenty minutes.
When it was all over, thoroughly frozen, I headed into Windy City Grill for my birthday dinner. Windy City is not a fancy restaurant, but it was bright, warm and cheerful inside, and fairly crowded for a Monday night. After a small pepperoni and bacon pizza, then I got back on the road to head home to Memphis. Although it was cold, it was a thoroughly enjoyable birthday. And I was so happy for the great honor showed to R. L. Boyce by his hometown.
With my birthday falling on Monday December 2, I decided to celebrate a day early by going to New Orleans for the Dumaine Street Gang second-line, since I knew that the To Be Continued Brass Band would be playing in it.
The TBC Brass Band, as it is usually called, is one of the bands that first attracted me to New Orleans’ street brass band culture, and is the band that most typifies the modern brass band sound and style. Although the band has a youthful, defiant hip-hop swagger, its music is firmly rooted in both the brass band tradition and the standard soul tunes of the Black community.
Waking up at 8 AM in Jackson, Mississippi, I had to stop for breakfast, which I did at Cultivation Food Hall, where I had chicken and waffles at a place called Fete au Fete, which I didn’t realize was a branch of a New Orleans restaurant chain. However the food was great, and with a cup of coffee from Il Lupo Coffee I got back on the road headed for New Orleans. Unfortunately, the parade was set to begin in the Treme neighborhood at noon, and I only made it across the causeway at 11:45, and by the time I made it to Treme and found a place to park (under the I-10 overpass on Claiborne), the parade was already underway. However the weather was a pleasant 70 degrees, and the sun was out, and as a result, crowds were everywhere. The club members and bands were just coming out of the Treme Community Center when I arrived, and although I would have liked to have grabbed a coffee at the Treme Coffeehouse before following the bands into the parade, I decided it was better not to be left behind.
As it turned out, TBC had not yet come out of the community center, and they were marching behind the Divine Ladies, a social aid and pleasure club that apparently parades with the Dumaine Street Gang every year. This year’s parade actually featured no less than five bands, and as we headed out Orleans Avenue, with the sun beaming, I felt the wave of exhilaration that I always feel when starting out on a second-line. At first there were fewer onlookers along the sidewalks, but eventually the crowds picked up, including those on horseback that always seem to appear at any downtown second-line. One difference with this particular second-line was that there were almost no route stops at all, and the bands and marchers had little time to rest. One exception was a brief stop along Broad Street, where a group of Mardi Gras Indians began setting up a chant “They got to sew, sew, sew” with tambourines, which Brenard “Bunny” Adams, the tuba player for TBC, ended up picking up, and soon the whole band was playing their brass band version of it. Not long afterward, the Divine Ladies instructed their members to move forward, and we were soon on the march again.
Walking down Esplanade, I noticed the ruins of Le Palm Ballroom, at which once I had seen TBC play at a funeral. Now the roof had caved in, and the building seemed destined for demolition. Heading up Claiborne Avenue, past Kermit’s Mother-in-Law Lounge, we came to St. Bernard Avenue and headed up it past Celebration Hall and the Autocrat Club, where a lot of motorcycle clubs had posted up with their bikes. The parade went as far as the Dollar General and T-Mobile stores, and then u-turned to head back down toward Treme, with TBC breaking into a joyful and upbeat song that I had heard them play before but which I didn’t know the name of.
However, I was filming video footage with my iPhone 7, and it soon ran out of battery life, so when the second-line started down the final push along Claiborne, I fell out of the line and went to my car, in order to begin charging the phone. I had thought that I could grab a coffee at Treme Coffeehouse, and meet up with Darren Towns, the bass drummer for TBC, but I was frustrated on both counts. About 5000 or so people were at the second-line, and the resulting gridlock and chaos made getting anywhere impossible. The police had the whole area around the community center and coffeehouse blocked off, and not only could I not get into the area, but Darren could not get out. The end result was that he could not go with me for my birthday dinner in New Orleans.
Instead, I headed across the river to Gretna to the Liberty Kitchen Steak and Chop House, which was one of the few steakhouses open in New Orleans on a Sunday afternoon. Darren and I had eaten at one of their sister restaurants in Metairie a few years ago; that location had closed, but we had been impressed with the food. I was impressed again on this particular evening; my filet mignon was delicious, as were the sides. The food was not cheap, but I have had inferior meals at higher prices, and the easy access and free parking were an added benefit.
After dinner, I wanted dessert, so I headed over to Freret Street to a place called Piccola Gelateria, where I had a peanut butter and fudge gelato in a cup, and by then, it was time to head back over to Kermit’s Mother-in-Law Lounge, where the TBC Brass Band was playing their weekly Sunday night gig.
The Mother-in-Law Lounge was founded by the late Ernie “K-Doe” Kador, who named the place for his biggest recorded hit ever, “Mother in Law.” After he passed away, his widow had kept it open until she also passed away. Kermit Ruffins, the world-famous trumpet player who is also well-regarded as a chef, had closed his jazz lounge in the Treme neighborhood, but when the Mother-In-Law Lounge closed, he acquired it, restored it and soon had it back open. There was already a significant crowd in and around the lounge when I got there, despite the fact that the live music had not yet started. Somewhat incongruously, the center of attraction was at first a DJ playing New Orleans rap and bounce. But it was the older, classic stuff and contributed to the feel-good vibe of the place, which was painted in vibrant colors and with numerous slogans and quotes from the late K-Doe.
Although I feared that the weather would turn colder, at least when I arrived, it was still fairly warm and pleasant out on the patio where the stage was located. The TBC members had largely stayed in the area, as they could not get out of the massive traffic jam that had accompanied the end of the second-line, and they soon began trickling into the club and setting things up on the patio. There was a large television screen outside with the Sunday night NFL game on, but most of the attention was focused on the stage once the To Be Continued Brass Band started playing. Ruffins’ love of marijuana is no secret, and when the TBC band played a new song about “getting so high,” Kermit suddenly appeared on the roof and shot off fireworks, to the thrill of the patio crowd. The band also broke out with a new song, “I Heard Ya Been Talking,” which is aimed at the Big 6 Brass Band, a newer band that has allegedly been talking smack against TBC. Such rivalries, which resemble rap group rivalries, are a usual thing in the New Orleans brass band culture.
As the night progressed, things got chillier on the patio, and TBC broke out with some smoother sounds, a pleasant reading of the Temptations’ “Just My Imagination” and Smokey Robinson’s “Quiet Storm.” Then they closed out, all too soon, with a funky version of “We Wish You A Merry Christmas” that seemed to owe something to the Jackson 5’s “The Love You Save.” It was a great way to end the evening.
But by now, it was fairly chilly indeed, and fog was developing. I met Darren Towns in Marrero, and we headed back over to the French Quarter in New Orleans to the Cafe du Monde for cafe au lait and beignets. In previous years, my move would have been to the Morning Call at the Casino in City Park, but the City of New Orleans had evicted Morning Call in favor of the Cafe du Monde, but the latter had decided to not be open 24 hours a day in City Park, and the location had already closed for the night. Fortunately, we were able to find a free parking place along Decatur Street, and we sat at the table enjoying our beignets and coffee. Bunny had called Darren from Frenchmen Street, but he didn’t come through where we were, and so when we left, we drove down Frenchmen Street to see if anything was going on, but there really wasn’t much of anything, and the fog and chill were in the air. Ultimately, we headed back across the bridge to Marrero. But it had been a great day to celebrate my birthday with my favorite brass band in New Orleans.
When I woke up in West Monroe, the first thing I noticed was how extremely chilly it was, and that didn’t improve all that much as I drove over to Bayou Brew House for breakfast. The coffee house actually looked closed, but fortunately, it was open. Although I was the first customer, others trickled in as I was enjoying my meal, and my food was very good indeed.
The previous night in Grambling, I had noted the much smaller crowds than what I was used to seeing on previous homecomings, and that continued to be the case on Saturday morning. There were not nearly as many people lined along Main Street, not even by the Favrot Student Union and the McCall Dining Hall where in most years the bulk of the students gather. At least one factor might have been the chilly weather, but there was a palpable lack of enthusiasm as well. In addition, the parade was much shorter than previous years. Starting at 9 AM, it was over by 10, and there were not very many high school bands in it at all. In fact, there were none from Monroe at all, which I found shocking. The bands that did march included Lincoln Prep, which apparently is the old Grambling High School, Ferriday High School, Southwood High School from Shreveport, General Trass High School from Lake Providence, Madison High School from Tallulah, and Madison S. Palmer High School from Marks, Mississippi.
The four-hour window between the end of the parade and the kickoff of the football game led to me spending a lot of time in the bookstore, and then in the food court. But Grambling had evicted their former food service company and replaced them with Sodexho, and nearly everything in the food court was closed for construction. The exception was Pizza Hut, so I waited in line to get a pepperoni pizza, and it was fairly decent. Some of the band kids from the high schools had had the same idea. With plenty of time left to kill, I walked up into the Village to Black to the Basics bookstore, a reincarnation of a shop I remember in the early 1990s, and although I was interested in a book about the civil-rights era Deacons for Defense and Justice in Louisiana, I decided against buying it and walked back down to the student union.
Eventually, I made my way to the stadium. It was warm enough that I had come out of my jacket and hat, but around the stadium, I was shocked by the reduced numbers of tailgaters, compared to what I used to see. It appeared that the university had increased the fees both for parking and tailgating, and this may have been one reason, but throughout the day, I noticed smaller attendance at events than normal. But outside the band hall, the alumni drummers were playing cadences; this year was a commemoration of the legendary Grambling band director Conrad Hutchinson, and there had been nearly a week of events in his honor. As the World-Famed Tiger Marching Band marched into Eddie Robinson Stadium to the drummers’ cadence, I headed into the stadium as well.
Early on, it appeared as if Grambling’s band would have no rival, other than their own alumni band across the field. During Quarter Zero, as bandheads call it, Grambling came out playing not a march, as is typical, but rather a ragtime piece that I did not recognize. This year’s Tiger band was tight and impeccable in tune and tone. But at about the start of the second quarter, the Texas Southern University Ocean of Soul band marched into the stadium, and from that point, the two bands battled back and forth to a certain extent, although SWAC rules keep the bands from playing during football play.
Unfortunately, about halftime, the sun moved to the extent that the west side of the stadium where I was sitting was in shade, and it soon became downright cold. Despite the stadium being set down in a valley, the winds blew and made things much colder. After halftime, the Chocolate Thunder drumline from Grambling and the Funk Train drumline from Texas Southern battled back and forth with cadences across the field, but I was too far away to get great footage. I had hoped to capture the Fifth Quarter battle after the game, but my Iphone soon ran down to 3%, and my backup battery was also depleted, so I decided to leave out and head back to my car. As is usually the case, the late afternoon after the game resulted in the biggest crowds of the day, but even these seemed reduced this year, and there were few if any custom cars compared to the typical homecoming. Police were far more in evidence, too, and from a number of communities, including Hodge and Monroe. By the time I had reached the car, I was so chilled that I turned the heater on full blast.
One difference this year was that Grambling now has a supermarket in the new shopping center called Legends Square. But it was the most bizarre and truly spooky supermarket I had ever been in. Most of the shelves were nearly bare, and only a few were filled with products for sale. One employe was on duty, and I found nothing in the store that I wanted to purchase, so I returned to my car and headed back east toward Monroe.
There are no second-lines during the summer, at least not the large, official ones sponsored by social aid and pleasure clubs, but that doesn’t mean that brass band activity dies down during the summer. If anything, the bands are busier than ever, due to weddings, birthdays and family reunions, as well as club dates and outdoor music festivals, so I usually try to make it to New Orleans at least once during the summer to hang out with my friends in To Be Continued Brass Band, and this year was no exception, as I made my way down on July 20th, stopping in Covington, Louisiana for a dinner at The Chimes, an excellent seafood restaurant along the scenic Tchefuncte River. But it was after midnight when I arrived in New Orleans, and my TBC Brass Band friends were gathered outside of a place called Jokers Wyld and Mickey’s Playhouse (the former Ooh Pooh Pa Dooh) where they were supposed to be playing for some sort of party. After I parked and pulled around the corner, I found them engaged in a friendly but vigorous band argument of some sort, which is often the case in New Orleans, as band is a competitive sport in that musical city. Unfortunately, the man who had engaged the band “went off to get the money” and never returned, so they didn’t play, and I instead grabbed a cafe-au-lait and some beignets and made my way to the West Bank and to bed.
The next morning, my homeboy Darren Towns, the bass drummer for TBC, his two young daughters and I headed into the Bywater neighborhood to have breakfast at a bright and cheerful new spot on St. Claude Avenue called Polly’s Bywater Cafe, which had not been there when I was last in the city at Mardi Gras. In one sense, Polly’s takes a page from other typical New Orleans breakfast spots, with local artwork on the walls, and a bright color scheme, and cheerful, sun-catching windows and decor. But we greatly appreciated the private parking lot (a rarity in New Orleans), the pleasant, efficient service, and the extremely high-quality food. Thoroughly satisfied, we were soon on our way to a recording studio in Mid-City, where TBC was to record a commercial with the legendary Kermit Ruffins.
After the studio session, it was largely gigs all day, with the first one being a wedding reception at an event venue in Jefferson Parish. From there I ran Darren by Guitar Center so he could buy a new cymbal for his bass drum, and then we headed to Legacy Kitchen, a new local chain of restaurants that I had been eager to try. We found the food excellent (I had the chicken and waffles), and we liked the upbeat vibe of the place, although prices were fairly steep. From there we had to head to the arena on the Xavier University campus, where a family reunion was taking place. Like the earlier wedding reception, the organizers had hired both the TBC Brass Band and some of the Zulus to be there in costume, and the attendees seemed to enjoy it.
The next stop was another wedding reception, this one at the Veterans of Foreign Wars Post in Algiers, right at the border with Gretna, and at that particular location, the crowd had gotten rather rowdy, and some men were trying to calm down a man who was obviously intoxicated. But the performance went well, and the crowd seemed to enjoy TBC greatly, and again, there were members of the Zulus in costume there as well, which apparently is the current trend in New Orleans events.
Our final destination was a birthday party in the Seventeenth Ward at a place called the Broadway Bar, where a large crowd was gathered out in the street, at tables and chairs in front of the club, and inside. The place was so crowded that it was hard for TBC to get into the club, but the Broadway is the type of hood club where the band and the crowd feed off of each other, and their performance was the hypest of the whole day. After TBC came back out of the truly tiny club, the band and members of the crowd began a sort of second-line around the neighborhood, and were not ready to break up when we made it back around to the club entrance. So TBC played for another twenty minutes or so while the man whose birthday it was, and his father danced in the street, along with some other people from the crowd. Finally, about 1 in the morning or so, we finally left the area. After one of these serendipitous New Orleans moments, the mood is usually exhaustion but exhilaration too, and this night was no different.
The traditional Mardi Gras parades can be fun, but my favorite part of carnival is in the ‘hoods and backstreets, where the gangs of Mardi Gras Indians appear in their elaborate costumes, beating drums, chanting and marching through the streets. Despite an ostensibly First Nations frame of reference, the Indians, who call their organizations “gangs” rather than “tribes”, seem far more an American reading of an African tradition, or perhaps one from the Caribbean. There are both “uptown” gangs and “downtown” gangs, as this is the broad division that once defined the difference between “Creoles” and “American Blacks,” but on this particular Mardi Gras Day, all of the gangs I saw were from Uptown, even the Black Flame Hunters which I encountered downtown under the I-10 bridge on North Claiborne Avenue.
My homeboy Darren Towns went with me briefly as I went to encounter the Indians, even though he didn’t particularly want to. Like a lot of Black New Orleanians I have met, he didn’t particularly want to see the Indians, as he remembered seeing someone’s head get split open one Mardi Gras Day when they didn’t get out of the way of a gang that was coming. Fear of violence seems to be the main reason for negative views of the gangs, even though violence in the Indian subculture has been decreasing steadily since the 1950’s. Nowadays, the bulk of the battles are ritual confrontations that consist of dancing and drumming in known places where the tribes meet, such as Second and Dryades, an uptown corner which is important to the Indian tradition. One bar on the corner, the Sportsman’s Lounge, is the headquarters for the gang known as the Wild Magnolias. Behind it is a large brick building called Handa Wanda, where I attended my first Indian practice ever a few years ago.
The gangs are accompanied by drummers, generally playing bass drums, or occasionally tenor drums, and tambourines are also used. After beginning their day with a “ritual prayer” called “My Indian Red”, the gang may run through a number of call-and-response chants, such as “Shallow Water O Mama”, “Shoo Fly, Don’t Bother Me”, “They (or Somebody) Got To Sew, Sew, Sew”, “Get the Hell Out The Way” or “Two Way Pocky Way.” The Big Chief may engage in a considerable amount of boasting and bragging, some of which may include words from an “Indian language” that might include French, Spanish, Creole or African terms. The drumming, chanting and brilliant-colored costumes all create an atmosphere that is quite reminiscent of the Caribbean, and unlike anything elsewhere in America. The men in these tribes will wear their elaborate outfits only twice more this year, once on St. Joseph’s Night in March, and once again during uptown or downtown events called Super Sundays that occur toward the end of March. In the past the suits would have been burned, but a number of them have ended up in museums nowadays, which is quite appropriate, as they are intricate works of art. At the end of the day, I was quite tired, and when I caught back up with Darren and his wife and kids, we decided to head uptown to Pizza Domenica, which we knew was open from previous years. It was crowded, but we managed to get in, and enjoyed some delicious pizza there, before heading out to City Park for coffee and beignets at Morning Call. It was truly a Mardi Gras for the ages.
I was exhausted enough that I didn’t wake up early on Mardi Gras morning, and I barely stirred when my friend’s wife got the kids dressed to take them to her mother’s condo uptown so they could watch the parades. I had hoped to go to breakfast with Darren, assuming we could find a place open, which is not easy to do on Mardi Gras Day, but when I saw that he was not going to wake up any time soon, I got dressed and headed down the road to an IHOP that was open near the Oakwood Mall at the border between New Orleans and Gretna. I felt sorry for the people there having to work, but it was nice to be able to get some coffee and a good bacon and cheese omelette. After breakfast, I called Darren and found that he had woken up, but the price I paid for my breakfast was missing the Zulu Parade. But Darren and I headed across the bridge and uptown, and on Washington Avenue, we actually caught up with a portion of the Zulu Parade. Even though rain had been predicted, instead the sun was out, and the temperature was a pleasant 72 degrees. In fact, it seemed as if we had gone from winter to spring in 12 short hours. There were huge crowds along the parade route, and to my disappointment, the float riders in the Zulu parade were quite stingy with their throws, perhaps because they were getting to the end of the parade route. We still managed to catch 30 or so of the Zulu floats, and then we made our way down to the corner of 6th and St. Charles, where we were able to park at Darren’s mother-in-law’s condominium complex in order to catch the Rex parade. Although there were a few bands in the Rex parade, it was less bands and more floats, but the floats were interesting, as they had to do with New Orleans and Louisiana history. It seemed as if there were more beads being thrown in the Rex parade, and eventually, due to the hot weather, I got thirsty, so I walked across the street to the Gracious Bakery and Cafe, which surprisingly was open, and I got an iced coffee. When the Rex parade was over, it was immediately followed by a truck parade sponsored by the Krewe of Elks, but that parade soon came to a halt and stayed stopped for nearly an hour. We didn’t know it at the time, but there had been a shooting along the parade route on St. Charles Avenue, and a teenager had died. But I was not as interested in the truck parade, and hoped to run into the gangs of Mardi Gras Indians, so Darren and I left St. Charles Avenue and headed to the vicinity of Second and Dryades, a known location for the Indian tribes.
Lundi Gras, the Monday before Mardi Gras Day, is basically a holiday in New Orleans, and thus ordinary things like getting breakfast can become a little complicated. My friend Darren Towns, his wife Jarday, and their children and I had planned to grab a breakfast at a new spot called Cloud 9 Bistro uptown at Magazine and 9th, a place that was supposed to specialize in liege waffles. Unfortunately, because of Lundi Gras, the restaurant had both cooks and servers not show up for work, and the owner stated it would be 45 minutes before he could even take our order. As a result, we walked around the corner to the Red Dog Diner, but they stated that the wait for a table would be at least two hours. Desperate, not to mention starving, I suggested that we try further uptown at Riccobono’s Panola Street Cafe, and although we did have to wait, it was a reasonable length of time, and we got seated. The breakfasts there are always great, and this day was no exception. However, the delays in finding a place and in getting seated meant that when we were through with breakfast, Darren only had about an hour before he was supposed to play at his afternoon gig.
I had traveled to many gigs with Darren and other members of the TBC Brass Band, and almost all of them had been fun, but this one on this particular day was not much fun at all. For one thing, it wasn’t a TBC gig, but rather a pickup band that had been hired for this particular event, and for another, the event had been put together by a certain celebrity performance artist who is often in New Orleans. Her desire to protect her privacy and not disclose her whereabouts meant that I was not to use my phone to film or photograph the goings-on, and that in fact I was to keep my distance from the whole thing. The organizers had given several different addresses to the musicians, perhaps another step in trying to keep paparazzi and other unwelcome guests at bay, and we had gone first to a location in the French Quarter before ending up on a rather desolate street in the 9th Ward neighborhood known as Holy Cross.
The organizers had hired both some Mardi Gras Indians, and musicians, for some sort of outdoor event. They wanted everyone other than the Indians to wear white, and one of the women explained to Darren that they were going to “build an altar” for their ritual, and that they would then walk to the river with the Indians and musicians to “make their offerings.” None of us were quite sure what exactly was going on there, whether voodoo, or New Age, or neo-paganism, but it was all quite strange, to say the least. The weather was bitterly cold as well, and eventually I retreated to the car, where I turned on the heat and sat there for the hour and a half or so that the procession and ceremony continued.
When it was finally all over, Darren and I decided to go and get dinner. Perhaps because of the cold, it never even occurred to me to suggest that we go to the parades. Instead we headed to the new Saltgrass Steakhouse in Metairie, where we enjoyed a steak dinner, and then we stopped by the Cafe du Monde on Veterans Boulevard for after-dinner beignets and coffee. Thoroughly exhausted, we decided not to go out for live music, but to head to the house and get rested up for the big day on the morrow.
I got an invitation on Facebook a week or so ago from a musician friend, trombonist Victor Sawyer, to come to the debut performance of a new Memphis brass band called the Lucky 7 Brass Band, which was being held at Growlers, the former location of the Hi-Tone on Poplar Avenue across from Overton Park. Memphis has had a couple of other brass bands, the Mighty Souls Brass Band and the Memphorleans Street Symphony. But, because we are not a city that has Mardi Gras (or even the Cotton Carnival any more) and because there is no real second-line culture here, our brass bands are more concert ensembles, and none has the separate snare and bass drums that characterize the average New Orleans brass band, and they may include indoor instruments like a drumset, a keyboard or even an electric guitar or bass. In that regard, the Lucky 7 Brass Band was true to form, including an electric bass rather than a tuba, and a drumset rather than the traditional separate snare and bass drummers. But what it did bring to the table was more of the street edge that the Crescent City bands have, and a tight and clean ensemble sound. For their debut performance, which was all too short at just under an hour, they played cover tunes exclusively, but these ran the gamut from New Orleans standards to contemporary hip-hop, and a good-sized crowd came out (with the threat of bad winter weather hanging over Memphis) to cheer them on. The Lucky 7 Brass Band is one we will likely be hearing a lot more about in the future.
Sherena had never been to a second-line, so on our weekend trip to New Orleans, I wanted her to experience one first-hand. And by chance, we ended up going to the biggest second-line of the year, the four-hour Young Men Olympian second-line, with its five divisions and five bands. As I have discussed elsewhere in this blog, the YMO is the oldest social aid and pleasure club still existing in New Orleans, and would seem to be the largest as well. One of the divisions had hired the TBC Brass Band to play with them, so when we got to the starting point for the second-line after a leisurely breakfast at Slim Goody’s Diner on Magazine Street, we looked for TBC and quickly fell in behind them. Sherena had brought her tambourine, and though it was all new to her, she fell into the rhythm perfectly as if she had been doing it all her life. Despite the hot weather, the turnout was truly large, with hundreds of people buck-jumping behind the various bands. The division behind us had hired the New Creations Brass Band, and I met some of their members when we stopped at the Sportsman’s Lounge at Second and Dryades. When we passed by a cemetery on Washington Avenue, some young boys were actually dancing on top of tombs along the fenceline, an example of the tendency of dancers to look for elevated locations where they can be seen, although there may be further significance to dancing on graves. The act might be a defiance of death itself. But the heat took its toll on Sherena, and the large crowds made it hard for us to keep up with one another. When we got back to Simon Bolivar Street, we decided to leave the second-line and find something indoors and cooler to get into.
Each year, Sharde Thomas, the granddaughter of legendary fife-and-drum band leader Othar Turner, holds an annual picnic in her grandfathers’ memory at Gravel Springs, a community a few miles east of Senatobia in Tate County. But this year’s festival, the 67th annual Goat Picnic, was a struggle and almost didn’t happen. A factional dispute within the larger Turner family led to the event being exiled from Otha’s homestead, where it has always been held in the past, and even the demolition of some of the historic structures on the property. With a fence erected to keep attendees off the homestead, this year’s picnic was held in a much smaller space to the east of the former location. But this year’s festival was also a free event, after several years of admission charges, and a crowd of a few hundred gathered to enjoy such artists as Lucious Spiller and Robert Kimbrough, and of course the great fife and drum music of Sharde’s own Rising Star Fife and Drum Band, which played throughout the night. On the first night, both the picnic and the Gravel Springs block party along the road outside the picnic seemed somewhat subdued this year. But there was good food, good fun, perfect weather, and lots of great fife and drum music from one of the best bands in the genre.