Southwind High School in Southeast Shelby County is a relatively new school, so when I saw that they were playing Fairley on the Friday night before the Southern Heritage Classic, I decided to go out there to watch the two bands battle. I had no idea that the band from Lane College in Jackson, Tennessee would also be there as a special guest, since Southwind’s band was not marching on the field yet this year. Fairley High School has of course had a dominant band program for years, but the band is smaller these days since the school has been taken over by the state and made part of the Achievement School District. Their band still sounded good, however, especially the percussion section. Southwind also has made tremendous progress since the last time I heard their band. Unfortunately, during the middle of the game, storms and rain came up, and I had to go under the bleachers to protect my camera equipment. But the rain was gone by halftime, and never returned. There was no “fifth quartet” for the bands to battle afterward, but a small crowd remained to watch both bands march out of the stadium.
While the annual Memphis Music and Heritage Festival was going on downtown, the On Location: Memphis Film and Music Festival was also taking place in Overton Square and in the Cooper-Young neighborhood. The music showcases were held in the basement of Cooper-Walker Place, and featured great Memphis musicians from all genres. Memphis hip-hop star Jason da Hater was on stage when I arrived, followed by a new local rock band called One Word. Then Tori WhoDat performed, along with Preauxx and other members of the TRDON camp. Perhaps the highlight of the afternoon showcase was 4 Soul’s performance, with Otis Logan on drums, and extraordinary Memphis vocalist Tonya Dyson fronting Memphis’ premiere neo-soul band. Over at Studio on the Square, a large crowd was watching a preview screening of an upcoming movie called The Man in 3B, with the filmmaker present. Altogether it was a great year for On Location: Memphis on its first Labor Day weekend.
This year, the On Location: Memphis International Film and Music Festival moved to Labor Day Weekend, which was also the date of the Memphis Music and Heritage Festival, so my ability to check out the latter was severely limited. But I did go down early Saturday morning with my friend Otis Logan to check out trombonist Suavo J and drummer Donnon Johnson with the Memphorleans Street Symphony at the Union Avenue stage. The weather was great, and a decent crowd of music lovers was on the Main Street Mall.
This year’s On Location: Memphis International Film and Music Festival launched something new, a gala blues concert at Cooper-Walker Place in Memphis’ Cooper-Young neighborhood. Hosted by Memphis’ own blues diva Redd Velvet, the concert featured performances from Butch Mudbone, Cash McCall, Beverly Davis, Garry Burnside and Cedric Burnside, and drew a crowd of music lovers and film makers alike. Veteran Memphis drummer Terryl Saffold and bassist Cecil McDaniel anchored the rhythm section for the earlier acts, and it was quite an enjoyable event.
When the United States Department of Education complained about the location of Memphis’ all-Black Kortrecht High School in the middle of a noisy, smokey rail yard in South Memphis, the city finally decided to build the new comprehensive Black high school that the Black community had been asking for. The community considered it a victory, until they learned it was to be called the Memphis Negro Industrial High School. Outrage over the name led to one of the first sustained Black protests in Memphis, and though the community did not get their wish of a school named for its principal, Green Polonius Hamilton, they did get the name changed to Booker T. Washington, and the new school opened in 1927. Memphis folklore has it that the school board gave it green and gold colors and the mascot “Warriors” so that worn and used jerseys and jackets from the white Memphis High School (now Central) could be used at BTW. Over the years, Booker T. Washington furthered the hopes and dreams of generations of Black Memphians. It has produced great musicians like the Bar-Kays, and great athletes. A few years ago, it was visited by President Barack Obama himself. Unfortunately, schools’ fates are largely determined by the neighborhood around them, and BTW’s future seems threatened, to say the least. Enrollment took a plunge when open enrollment and transfer allowed people in the district to attend high school elsewhere, and then the city began its program of demolition of the projects including Cleaborn Homes, where many BTW students resided. Now Memphis has received a 30 million dollar grant to demolish and replace Foote Homes, the last public housing project in Memphis, where a lot of current BTW students live. With it being replaced by upscale housing for the wealthy, it is unclear whether BTW will retain enough enrollment to avoid state takeover or closure. But for now, fans and alumni still take pride in their team and band, turning out on Friday nights for the weekly games at historic Washington Stadium.
Although Memphis’ Black community has an old and deep history of drumlines, the phenomenon has been fading in recent years. A reduced interest on the part of young people, lack of access to drums, lack of available instructors and the preference of dance squads and majorette teams for recorded music and DJ’s have all been factors in reducing the number of drumlines and drummers in Memphis. But a few of the high schools still have drumlines, and this fall, my homeboy Otis Logan is coaching the drummers at Manassas High School, the legendary school where the great big band leader Jimmie Lunceford was the first band director. The Manassas drummers sound good, particularly for it to be as early in the year as it is.