One of the best things about our slow return to normalcy has been the reappearance of the festivals we missed in 2020. The North Mississippi Hill Country Picnic held at Betty Davis’ Ponderosa each year at Waterford, Mississippi in Marshall County was founded by blues musician Kenny Brown and his wife Sarah to commemorate and preserve the Hill Country blues traditions, and especially the legacies of the Kimbrough and Burnside families. Held over two nights, the festival generally attracts several hundred people from all over the world; sadly, this year, most of the international visitors were unable to attend, due to ongoing travel restrictions brought on by COVID-19. Still, several hundred people attended on Friday night, seeing performances by Jimbo Mathus and Kent Burnside, and Duwayne Burnside with his band. Lots of musicians were backstage, including Little Joe Ayers, and there were great charcoal-grilled hamburgers for the performers.
An even bigger crowd attended on Saturday, when artists like Memphisippi Sounds, R. L. Boyce and Sharde Thomas and the Rising Star Fife and Drum Band performed.
Early on Saturday morning, June 19th, I headed to a restaurant called the Merry-Go-Round on North Fares Avenue in Evansville, Indiana. Fares was once Highway 41, and the restaurant was located in an area of several sketchy motels, but the number of cars around the building convinced me I was in the right place. Inside, the restaurant was a combination of antiques and Trump posters. I was not happy about that, but Evansville has few breakfast choices, and I saw that the customer base seemed relatively diverse, so I stayed.
The Merry-Go-Round goes back to at least World War II, and has a definite old-school vibe; the places sells burgers and ice cream, even if breakfast is the main reason people go. And a good breakfast it proved to be. Although the place was fairly crowded, the restaurant is large, and I had no problem getting a table.
My next step was to find a local coffee bar for a latte, so I drove over to the Honey Moon Coffee Company on Weibach Avenue, but as I arrived there, Duwayne Burnside called me and said that he wanted us all to soundcheck at 10 AM at the W. C. Handy Festival stage in Henderson, Kentucky, rather than at 11 AM as I had supposed. So I had to get my latte to go, and head south on Highway 41 across the bridge into Henderson. Fortunately, there was a blocked-off lot where we were allowed to park as performers.
The weather was extremely hot, and there were not a lot of people in the seats when I arrived, but then we were the first act to perform, and we did not go on stage until noon. To my amazement, they had a beautiful Nord keyboard on stage, and we had access to the food tent until it was time to soundcheck with Pinkie Pulliam, Charles Gage and Duwayne.
By the time we performed, there was a much larger crowd in the seats than when we arrived. The view from the stage over the crowd and out to the Ohio River was quite beautiful, and the show was fun to play. There were even some boats out on the river enjoying the show from the water. One of the things I was pleased with is that Duwayne Burnside gave the crowd authentic blues when so many of the other acts seemed more rock oriented.
Afterwards, I got my car and headed back across to Evansville. I grabbed a late afternoon lunch at Blu Burger Bar, the Evansville branch of an Indianapolis chain, located in the city’s old bus depot. The building has been lovingly and beautifully restored, and the food was outstanding.
My last stop before checking out of my hotel and leaving Evansville was at a store I had never seen before called Meijer. I vaguely remembered the name from trips to Cincinnati, but I had never been inside one. To my amazement, Meijer seems like a cross between Wal-Mart, target, Costco and Sam’s Club, all in one. The building was bright, mostly glass and chrome, and impeccably clean. I had intended to take some Double Cola back to Memphis, but Meijer didn’t have any in stock; however, they did have some Tchibo Coffee imported from Germany, and I bought that to take home.
Unfortunately, my car which had performed so well going up to Henderson and Evansville did not do as well going back. It started hesitating at times, and by the time I reached Dyersburg, the check engine light had come on. I stopped at a O’Reilly Auto Parts there, and learned that the fuel rail pressure sensor was going out. Despite difficulty, I managed to make it to the house.
Duwayne Burnside’s biggest show of 2021 was at the W. C. Handy Music Festival in Henderson, Kentucky in June, a festival which is billed as the biggest outdoor music festival in the United States. Although we were not scheduled to play until Saturday, I decided to book a hotel room in Evansville, Indiana, and drive up the day before. So after work, I headed out from Millington up Highway 51. The weather was hot and sunny, but the drive was relatively pleasant. My car gave me no problems, and I stopped at Union City for a slice of pizza and a fountain drink, and then I headed on across Kentucky and into Evansville.
I had planned on eating at an outdoor bar and grill called The Rooftop, so I could enjoy the sunset over Evansville. As it was, I arrived in the city a little later than I had intended, and the sun went down almost as soon as I was seated. The place was crowded and cheerful, with a singer-songwriter performing, and bright lights strung across the seating area. Unfortunately, I discovered that The Rooftop was more of a place to drink and listen to music than a place to eat. The food was typical bar fare, and although it was not bad, it was neither outstanding nor memorable. The main star of the show were the evening views of downtown Evansville.
After I left The Rooftop, I could not find any coffee bars still open, so I headed back across the bridge to Henderson, Kentucky and the W. C. Handy Festival. One of the reasons I had wanted to come a day early was to see the Memphis rock-and-roll/blues guitarist Eric Gales, and Duwayne Burnside and his bassist Pinkie Pulliam were already in Henderson where the festival was taking place.
Finding parking in downtown Henderson was not at all the hassle I had expected it would be, and the festival, held in a large park along the Ohio River, was easy enough to find. On the other hand, the park was so crowded that it was hard to get anywhere near the stage. Because I didn’t find any coffee in Evansville, I was amazed and thrilled to find a Java Shakes food truck directly across the street from the main festival stage. Of course the prices were not cheap, but a mocha java shake was quite refreshing, and exactly what I had been wanting. Duwayne was backstage with Eric Gales, but Pinkie and I had some difficulty in getting backstage, at least at first. Eventually we were able to get the appropriate wristbands as performers and we were able to get backstage.
Hearing Eric Gales in person was amazing indeed. Although he burst onto the scene some years ago as a rock musician, the blues is never far away from his style, and his band was interesting as well, with two drummers, one of whom was his wife. His good natured talk with the crowd and his frank discussion of his addiction and recovery caught me by surprise, and I was especially impressed with his closing speech to the crowd; he pointed out that despite race or politics, music had brought all of them together on a certain level. Eric Gales’ awesome talent is surpassed only by his deep humility. It was an honor to see him in person.
One week after the earlier graduation party, there was an even bigger outdoor backyard party in Holly Springs, this one at a large house north of town, said to be sponsored by a law enforcement officer for his wife. No expense had been spared; the type of large stage used by cities for their outdoor festivals had been rented, and two bands had been hired, Duwayne Burnside and his band from Marshall County, and the southern soul artist Ms. Nikki and her band from Memphis (although apparently Ms. Nikki is originally from Holly Springs as well). A mechanical bull had been rented, and a DJ hired, and a building in back of the house which looked like a garage had been decked out like a club, with tables and chairs for at last a hundred folks, and a full bar. Inside was a buffet table, with pulled pork, grilled burgers, hot dogs and grilled corn on the cob. The pulled pork shoulder was just about the best I have ever eaten.
Outside, almost 300 people enjoyed great blues music and southern soul, despite an unexpected late cold snap. People danced and partied, and it was almost more like a large festival than a private backyard party, with cars filling the front yard of the house all the way to the road. Holly Springs knows how to party.
Marshall County, Mississippi is one of those out-of-the-way places in the South where old traditions and ways have retained a foothold. The county is the epicenter of the Hill Country Blues style, and the related Cotton Patch Soul Blues style of the Kimbrough family, and blues is often the soundtrack for picnics and family gatherings.
On May 22, a family graduation party turned into a virtual music festival in Holly Springs, as the family had booked Hill Country greats Duwayne Burnside and Garry Burnside to perform in their front yard. They also had a DJ and plenty of good barbecue, and a crowd of a couple of hundred people gathered, with cars up and down old Highway 4. Although it was quite hot, it didn’t deter the party-goers, and after the sun went down, things cooled off some. It was actually a big night for Hill Country blues in Holly Springs, as Kenny Brown was also performing at a historic home on Salem Avenue for the first of the summer Blues on the Porch performances. Blues is still the soundtrack of summer in Marshall County.
After a year’s hiatus caused by the COVID-19 pandemic, the Kimbrough Cotton Patch Soul Blues Festival returned to Holly Springs, Mississippi in May of 2021, with a few differences. The event was held totally outside this year, with The Hut being closed as a precaution against spread of the virus, and of course, with travel restrictions from foreign countries still in place, overseas visitors who usually attend were not able to come.
All the same, on Saturday night attendees got to hear the workshop performers play, along with their mentors Duwayne Burnside, Robert Kimbrough Sr. and Joe Ayers, and on Sunday, a somewhat larger crowd saw even more artists, including Joe Ayers’ son Trenton, Lightning Malcolm and R. L. Boyce, in addition to those who had performed the night before. This was also the first Kimbrough festival since the death of David Kimbrough Jr. in 2019, and Robert made a point of performing several of his brother’s songs during his performance. It was altogether a good time, and another sign that things seem to be returning to some degree of normalcy.
Duwayne Burnside is one of the sons of the late R. L. Burnside, and is a living legend of the Hill Country blues tradition in North Mississippi, but peculiarly, he has not frequently played in Memphis in recent years. That changed this summer, with a weekly residence at the outdoor Railgarten venue in Midtown, which got under way on May 7th after a couple of cancellations due to weather.
A number of Memphis blues aficionados and musicians came out, including the legendary Stax Records drummer Willie Hall, who sat in with the band on a tune. Actually, Railgarten makes a nice venue for blues, with its massive array of outdoor tables and bars. In pleasant weather, it’s perhaps the best venue in the city. Unfortunately, the pandemic has caused modifications in its operations, and things are not entirely back to normal yet. The diner, which once featured a more adventurous culinary menu, is closed, as is the ice cream parlor, and currently only bar food is available. But there seem to be renovations going on at the diner, and hopefully it will be reopening in the future.
After Sherena Boyce and myself attended the Jimmy “Duck” Holmes party behind Sean “Bad” Apple’s juke joint in Clarksdale, we went different directions. She wanted to go to Kent Burnside’s performance at a new club called Gentleman Lyfe, which usually hosts more of a hip-hop crowd, but I wanted to catch Johnny Rawls’ performance at Hambone.
However, when I got to Hambone, I was somewhat disappointed. Rawls typically has a large band with horns on his albums, but at Hambone, he had a stripped-down trio band instead. Worse, the place was so crowded that I could not get anywhere near the stage. So I left there and headed around the corner to Gentleman Lyfe for Kent Burnside’s performance. Sherena got there about an hour after I did, but although Kent gave some rousing performances of Hill Country standards, the long day had taken a toll on me, and I was running on fumes. Ultimately, I left to head back to the hotel and to bed.
Como, Mississippi bluesman R. L. Boyce is one of the last living musicians of the first generation of the Hill Country, and on Juke Joint Festival Saturday, he closed out the day of free outdoor performances with a rousing appearance at the Quapaw Canoe Company Stage with one of his disciples, Lightning Malcolm.
Boyce’s music exemplifies the trance-inducing repetition that Hill Country blues shares with the music of the Senegambian region of West Africa. His composition “You Will Have To Meet That Man,” also known as “River Jordan,” seemed to aurally complement the slowly flowing Sunflower River in the late afternoon sun. An enthusiastic crowd gathered around the fountain and covered almost all available ground, other than the stairs down to the river itself behind the stage, where a young man and his girlfriend were talking. It was a fitting end to the day performances, with the indoor night concerts in clubs still to come.
Blues musician Garry Burnside, a son of the late R. L. Burnside, recently moved to Ripley, Mississippi in Tippah County, and put together a new band with a young drummer from Ripley, along with old familiar faces like Andrea Staten. Garry took the Wade Walton Stage in the slot before his brother Duwayne, and captivated the significant and growing crowd. Duwayne came on after him, but as I was playing keyboards for Duwayne this year, I could not document his performance. Duwayne was followed by Kenny Brown, whom R. L. considered an ‘adopted son,” but Kenny’s performance overlapped with that of R. L. Boyce and Lightning Malcolm at the Quapaw Canoe Company stage, so I made me way down to the Sunflower River to catch’s Boyce’s performance, the last one of the day.