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Hill Country Records
Hill Country Records

Celebrating Eric Deaton’s Birthday at the Crawdad Hole in Water Valley

https://goo.gl/photos/9TFXUbecFScFp5nk8 https://goo.gl/photos/GC44X3V2cd5hb1rd9 https://goo.gl/photos/563Aw4qgSXKgrrnj9 https://goo.gl/photos/n1kbE3swennUavGP9 https://goo.gl/photos/vFDFchT6npp994vJ6 https://goo.gl/photos/vAsPh3SESLhS244h9 https://goo.gl/photos/w3uEYjGtDaMAfYcT9 https://goo.gl/photos/bR6NbaF1gKCZpjEM9 Usually people don’t celebrate their birthdays by working, but that is what Hill Country guitarist Eric Deaton …

Hill Country Records artist L. C. Ulmer was performing most of the afternoon with various musical friends and associates across the street from Morgan Freeman’s Ground Zero Blues Club, August 13, 2011, Clarksdale, MS

Hill Country Records artist L. C. Ulmer was performing most of the afternoon with various musical friends and associates across the street from Morgan Freeman’s Ground Zero Blues Club, August 13, 2011, Clarksdale, MS

Of course blues in Mississippi was not restricted to the Delta or the Hill Country, but in fact spread throughout the length of the state. L. C. Ulmer, who is from Ellisville, Mississippi in the southern piney woods region, has been playing blues for nearly 70 years, but has his album debut at 80 years of age with the release of “Blues Come Yonder” on the venerable Hill Country Records imprint out of Jimbo Mathus’ Delta Recording Service in Como.

Although Ulmer hails from the southern part of Mississippi, his performance style has many points of similarity with artists from further north. The casual listener might notice moments where Ulmer superficially resembles Mississippi Fred McDowell, yet Ulmer’s style is largely his own, honed during a lifetime of wandering and working odd jobs across America. Legendary Mississippi alt-rock-county icon Jimbo Mathus and Afrisippi bassist Justin Showah provide sympathetic and unobtrusive accompaniment to Ulmer’s guitar virtuosity and vocals, which are particularly evident on the title track “Blues Come Yonder.” And while most of the tunes are in the rural blues tradition, the inclusion of the hillbilly breakdown “Get Along Cindy” and Hank Williams’ “I Saw the Light” reveal a hidden shared heritage and influence between white and black Misssissippians. A masterful debut from a living legend of Mississippi blues. 

Of course blues in Mississippi was not restricted to the Delta or the Hill Country, but in fact spread throughout the length of the state. L. C. Ulmer, who is from Ellisville, Mississippi in the southern piney woods region, has been playing blues for nearly 70 years, but has his album debut at 80 years of age with the release of “Blues Come Yonder” on the venerable Hill Country Records imprint out of Jimbo Mathus’ Delta Recording Service in Como.

Although Ulmer hails from the southern part of Mississippi, his performance style has many points of similarity with artists from further north. The casual listener might notice moments where Ulmer superficially resembles Mississippi Fred McDowell, yet Ulmer’s style is largely his own, honed during a lifetime of wandering and working odd jobs across America. Legendary Mississippi alt-rock-county icon Jimbo Mathus and Afrisippi bassist Justin Showah provide sympathetic and unobtrusive accompaniment to Ulmer’s guitar virtuosity and vocals, which are particularly evident on the title track “Blues Come Yonder.” And while most of the tunes are in the rural blues tradition, the inclusion of the hillbilly breakdown “Get Along Cindy” and Hank Williams’ “I Saw the Light” reveal a hidden shared heritage and influence between white and black Misssissippians. A masterful debut from a living legend of Mississippi blues. 

4/15/10: Juke Joint Festival in Clarksdale

I drove down to Clarksdale last Thursday to meet up with Justin Showah, the owner of Hill Country Records, who was playing the opening night …