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Celebrating Jim Dickinson’s Beale Street Saturday Night With Sons Of Mudboy at Shangri-La Records
Celebrating Jim Dickinson’s Beale Street Saturday Night With Sons Of Mudboy at Shangri-La Records

Celebrating Jim Dickinson’s Beale Street Saturday Night With Sons Of Mudboy at Shangri-La Records

001 Son of Mudboy002 Son of Mudboy003 Son of Mudboy004 Son of Mudboy005 Son of Mudboy006 Son of Mudboy007 Son of Mudboy008 Shangri-La Records009 Son of Mudboy010 Son of Mudboy011 Sharde Thomas012 Cody Dickinson and Sharde Thomas013 Son of Mudboy fans014 Son of Mudboy015 Son of Mudboy016 Son of Mudboy017 Son of Mudboy018 Son of Mudboy019 Son of Mudboy fans020 Son of Mudboy021 Son of Mudboy and Sharde Thomas022 Sharde Thomas
The late Jim Dickinson was passionate about Memphis’ Beale Street. He carried on a running feud in song with the Memphis Housing Authority and Memphis’ city government over its rough treatment of Beale Street during so-called “urban renewal”, and it was almost certainly at Dickinson’s suggestion that Alex Chilton’s early working title for Big Star’s third album was “Beale Street Green”, a reference to the green fields that surrounded the entertainment district once the surrounding neighborhoods had been destroyed (the poetic title would later resurface as a movement of instrumental music on one of Dickinson’s Delta Experimental Projects). So when the Orpheum Theatre commissioned Dickinson to put together an album as a fund-raiser, he responded with a recorded paean to his beloved street, now endangered by civic ineptitude, an album called Beale Street Saturday Night. The album was somewhat bizarre, consisting of two unbanded sides that played continuously. Songs and interview clips faded seamlessly into one another, more like a radio documentary than an album. For years, the album was a highly-sought collector’s item, but it has now been lovingly reissued by the Omnivore label, and to celebrate that fact, Shangri-La Records in Midtown sponsored a performance of Sons of Mudboy, that most elusive group of Memphis musicians and folklorists, centered around Cody and Luther Dickinson and Steve Selvidge, along with Jimmy Crosthwaite of Mudboy and the Neutrons, the supergroup that started it all. Hearing a Sons of Mudboy concert is like taking a crash musicology course in Memphis music. First, there are no genre barriers, as the group works seamlessly from blues, to rock, to bluegrass, folk or gospel. Some of the songs are originals, or at least songs that were original to Jim Dickinson, Sid Selvedge or Lee Baker of Mudboy and the Neutrons, while many others are covers, which range from Furry Lewis to Sleepy John Estes to Mississippi Fred McDowell. This performance was somewhat unusual in that it opened with Jim Dickinson’s “Power To The People” which is usually a closer, and so it closed with the Hill Country blues standard “When I Lay My Burden Down”, where they were joined by the great Sharde Thomas on the cane fife. A crowd of about 100 people enjoyed the unexpected sunny weather (storms had been predicted) and pleasant temperatures, the perfect setting for a great afternoon of Memphis music.








Buy Jim Dickinson’s Beale Street Saturday Night here if your local store doesn’t stock it:
http://omnivorerecordings.com/music/beale-street-saturday-night/

Keep Up With Sons of Mudboy here:
https://www.facebook.com/SonsOfMudboy

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